视频简介
《中国餐馆》把视野拓宽到全体海外华人在异国他乡生活的方方面面。这些来自北京、上海、香港、台湾和在美国土生土长的华人及喜爱中国菜的美国人在《中国餐馆》里上演了一幕幕令人捧腹大笑的人间喜剧。爱滋病的误会，大款团的可笑，老夫少妻的尴尬，按摩女的悲伤，赌场的华丽，餐馆的辛苦。这将是英达精雕细刻的一部喜剧力作，展示给观众的将是有喜有悲的真实美国生活。本剧于1998年10月于12日在北京北郊未名山庄带观众拍摄，将于1999年春节期间在全国各国电视台隆重推出。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
