视频简介
脚步匆忙，奔波往复。这个世界上从早到晚，从西到东，似乎每个人都有无数的事情要做，却翻花迷眼，盲目糊涂。在国际大都市的一隅，生活着自信的拳击手李磊（余皑磊 饰），他饮食无忧，生活优渥，战绩显赫，可是仍然找不到人生的动力与激情。拳拳到肉的阵痛，也许都为他找到一些活着的感觉。接连很多天，他总能在路边看见戏台上包公打扮的人和端着浴缸的金发女郎。他的眼睛似乎被打出了问题，接连出现的幻觉让他倍感困扰。他认为即将失明，没有选择地走入一个全然黑暗的世界…… 本片为中国电影集团与优酷网联合出品的微电影系列《十一度青春》中的一部。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
